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Profiles of the Early Beats: Phillip Lamantia

April 10, 2017

Profiles of the Early Beats: Phillip Lamantia

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Seymour Krim’s profile of Philip Lamantia in his 1960 anthology The Beats surely must be one of the most colorful description of the neo-surrealist poet. One thing about Philip Lamantia often forgotten is that he read his poetry that famous night at the Six Gallery when Allen Ginsberg first read Howl.

“Lamantia is a flamethrowing Roman catholic and can really light up the poetic pinball machine 1 out of every 4 shots. His whole bent is mystic, ecstatic, sensuous, dangerous. But when he hits, he hits for a high score. Sometimes the work gets vague and shrill; but the misses are what have to be suffered in order for him to get his rare, charging highs which sweep into the memory like an army of Christian neon lights. Hot stuff here, always a hair’s breadth away from over-statement. But the real spinal shudder when he makes it.”

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Paul Varner