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March 26, 2017
The Beat Hotel, Paris
The Beats: Gregory Corso
On this day in 1930 Gregory Corso was born. He died in 2001 and is buried in the English Cemetery in Rome, in proximity to the Romantic poets Percy Bysshe Shelley and John Keats.
Here is the profile of Corso written during the frenetic days of the Beatnik scene by Seymour Krim in his 1960 anthology The Beats,
“Corso is urchin-looking, street-bred, a true singer and loving wordman with lots of humor plus a regal tone. A big treasure of talent in this little guy which he’s not entirely certain how to handle—comes on tough or rude or me-no-speak-english when his poetry gives his living-room style the lie. Full of unexpectedness and unclassifiableness; offbeat imagination to burn. One of the big three that began to turn the public on around 1954; Kerouac and Ginsberg the other two. A glitter of contradictions, Corso also has formidable verbal refinements and a closetful of skills along with his deadend-kid comeon [sic.]. Last heard from he was in Athens, jazzing, playing roulette, making a carnival out of this ah sweet mystery of life bit. More power and joy to him.”
Krim published the long poem “Spontaneous Requiem for the American Indian” in the anthology. I thought I would print a particularly relevant clip to our current political predicament in America.
Ghost-herds of uneaten left to rot animals thundering across the plains
Chasing the ghost of England across the plains forever ever, pompous Kiwago raging in the still Dakotas, o america—
America o mineral scant america o mineralize america o conferva of that once
great lovely Muskhogean pool, o oil-suck America despite, oil from forgetive days, hare to arrow, muskellunge tospear, fleet-footed know ye speed-well the tribes thence
outraced the earth to eat to love to die,
o requiems, Hathor off-far bespeaks Wakonda. . . .
Follow The Scene: Radical Poetics at the Zig Zag Edges.