Death and Pejorative Vision in Charles Olson, Part 5
September 12, 2017
Charles Olson, Ezra Pound, and the Black Mountain College scene
These two poems, “A Newly Discovered ‘Homeric’ Hymn” and “As the Dead Prey Upon Us,” however, do much more than possibly demonstrate Charles Olson’s view of death. The first poem exemplifies Olson’s interest in classical and ancient literature and his influence by Ezra Pound. “As the Dead Prey Upon Us,” which takes the views of “A Newly Discovered ‘Homeric’ Hymn” and develops them further, also shows us Olson’s belief in vision. Although the poem uses a persona, the visionary element coincides with the views of Olson. In a lecture at the University of California at Berkeley in 1965 he said, “I was very lucky once to have what poets call visions. And they’re not dreams . . . . They are literally either given things or voices which come to you from cause.” These poems lack the typical romantic element of visionary optimism. Instead they deal with one of Olson’s central themes—pejoracy. Faced with the dilemma of humanity in the middle of the twentieth century, Olson, in the two poems, has treated his subject first by referring the classical methods of the ancients and then by juxtaposing technological symbolism and mysticism, which synthesizes into a modern apocalyptic vision.
So there you have it. My reading of some of Charles Olson’s poems from The Distances. Pay attention, though, if radical poetry matters to you.
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