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How Do You Differentiate Radical Poetry from Mainstream or Establishment Poetry?

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Jack Kerouac ready for a Reading

How Do You Differentiate Radical Poetry from Mainstream or Establishment Poetry? Who knows? I know the difference when I see it, ok? But I do see a clear distinction between radical, innovative, avant garde, experimental (or whatever label you want to use) poetry and what I usually call genteel poetry. I mean, most of the radical poets of the past are in the big canon taught in schools. I’ve taught courses on the Beat Movements a number of times.

Clearly I have great respect for genteel poetry and, again, have written about genteel poets plenty of times. And I encourage to you follow my Literary Life blog where I separate out the genteel from the radical somewhat. And I reserve the right to read some genteel poets radically.

Generally, the distinction is most often made on the basis of the poetic tradition itself. In American literature we usually distinguish the formal tradition of Edgar Allan Poe and his successors with that of Ralph Waldo Emerson, Walt Whitman and their successors. Obviously lines are blurred all the time and even the common dichotomy of the two traditions is often disputed.

But I am going to maintain a bold claim for poetry right now in our own time. Modern and contemporary fiction has virtually caved in to becoming capitalist cheerleaders. Even our best contemporary novelists just as our best filmmakers see their work as market driven. The true literary art forms today are almost exclusively poets and poetry and some non-market driven plays and playwrights.

More early considerations to follow.

So follow The Scene and let’s get going.

Paul Varner

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